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Thoughts and Musings on Art, Life, Dreams & Such — By Lorraine Mulligan (Dewey) — watercolor blog, blog, art blog

Posts Tagged ‘watercolor painting’

Adirondack Sketchbook (Part 2)

Wednesday, September 1st, 2010

"Sunrise on the Lake" (top) and "Sunrise Water Study" (bottom)

"Sunrise on the Lake" (top) and "Sunrise Water Study" (bottom)

Despite it being a gray and misty day the heavy rain had graciously stopped making a perfect welcome for the few days my friend Anne and I would be spending in the Adirondack Mountains in Upstate New York.

After making more than a half dozen trips to my car unloading food stuffs, clothing for all weather conditions, reading material and my most important cargo - painting and drawing supplies - I started a pot of coffee brewing while Anne and I each prepared our respective lunches to be enjoyed beach side (rain or shine)!

I don’t live near a significant body of water. With the exception of accumulated rain in ditches and deep puddles I rarely get the chance to spend time near water though I have been known to bathe from time-to-time. So with a mug of hot coffee in-hand I wandered onto the deck to take in the view of Fourth Lake. There are two small islands just off shore and thousands of evergreens covering the “young mountains” that surround the Lake. An indigo sky and rainy mist provided a soothing monochromatic backdrop for eating my lunch lakeside.

After lunch Anne and I decided we’d head out to Inlet - the closest town - and check out the local shops. We were far from alone in this remote Adirondack wilderness as other vacationers with the same agenda had converged there. We strolled and browsed in the local bookstore and what-not shops filled with everything bear-related.

Black bear are known to frequent these parts. The Adirondack Mountain Club website clearly states, “When you camp in the Adirondacks, you’re in black bear country.” Posters warning visitors to refrain from feeding the bears can be seen in nearly every shop. I personally had no intention of sharing my porridge or my PB&J with a hungry bear. Though I secretly would not have minded seeing a bear I would prefer to be safely inside while doing so.

After looking at more than my fair share of “Made in China” mementos trying to be passed off as authentic Adirondack keepsakes we checked into the local pizzeria ordering their vegetarian delight covered in mozzarella and some cold beverages - delicious! Having eaten our fill we headed back to our temporary lakefront home to paint the evening away.

It was nice to be disconnected from television and Internet temporarily. I’d decided before leaving that I would use this trip as a time to focus on sketching. Sketching and flexing my artistic muscles without the pressure of producing a finished piece. Ultimately that decision has set me free in a way. Free to try anything…and why not… nothing ventured, nothing gained. And after all that’s what sketching is for - to practice seeing and translating what is seen onto paper.

We painted into the night in silence much of the time. It was easy there to let go of your worries and breathe in then breathe out releasing pent up tension and just being in harmony with you’re your creativity.

Adirondack Sketch Book (Part 1)

Sunday, August 29th, 2010

August 25th, Eagle Bay, Watercolor Sketch "A Light Mist"

August 25th, Eagle Bay, Watercolor Sketch "A Light Mist"

Wednesday morning was overcast and gray. My friend, Anne, and I were scheduled to meet early and head North on I-87 toward Glens Falls, New York. Our first stop - as we headed toward the Adirondacks - would be at The Hyde Collection in Glens Falls where the Andrew Wyeth exhibit is on display until September 5, 2010. Since our room would not be ready until early afternoon what better way to “kill time?” The Wyeth exhibit was awe-inspiring and included more than thirty works in watercolor, pencil and egg tempera.

I’d never visited The Hyde, which is a real shame being an easy hour and a half hour drive from my home. The Hyde was the residence of Louis and Charlotte Hyde whose wealth was accumulated as owners of Finch Pruyn & Company, Inc., a paper mill located a short distance from the mansion. The Hyde’s collection includes works of Botticelli, El Greco, Raphael, Rembrandt, and Rubens plus modern masters Cézanne, Degas, Picasso, Renoir, Seurat, and van Gogh as well as a significant group of works by American artists including Eakins, Hassam, Homer, Peto, and Ryder. After Louis Hyde’s death in 1934 Mrs. Hyde continued acquiring artwork and became responsible for more than two-thirds of the overall collection. Impressive and a real bonus to the Wyeth exhibit.

The works of Wyeth on display were diverse from loose and spontaneous watercolors (”The Road to Friendship”) to the more tight and controlled egg tempera (”Her Room” and “Cooling Shed“). And then there were those few pencil drawings - my favorite - (”Christina’s Head” and “James Loper”) seeming to have been executed with precision coupled with a relaxed ease.

I examined each piece with deep concentration and observation wanting to imprint the details of these master works in my mind for retrieval later. Nothing can replace seeing the original work. Nothing can replace that kind of visual education. What a treat to be near a well-known painting like “Master bedroom” seen over and over again in print but proving so much more captivating in real life. I was a smitten Wyeth groupie seeing the “artistic rock star” for the first time.

With my mind full to overflowing Anne and I headed north again on I-87 exiting in Warrensburg in order to pick up Route 28, which would take us all the way to our destination, Eagle Bay. Winding along Route 28 with its rising and falling mile after mile generously revealing panoramic views around every bend was a treat in spite of the “slap, slap, slap” of my windshield wipers cleaning away the steady rain.

Small and large lakes with misty views and evergreens reaching for the sky made it difficult to watch the road at times. We drove through only a few small towns where weary and wet vacationers were browsing with beach time out of the question on this wet and rainy afternoon.

"Room With a View" Watercolor Sketch and "Gift of Sun on August 26th" Watercolor Sketch (Below)

"Room With a View" Watercolor Sketch (Top) and "Gift of Sun on August 26th" Watercolor Sketch (Bottom)

Our early afternoon arrival was timed perfectly with “check-in” and the rain had kindly stopped by then. Let me clarify that check-in simply means driving by the office and unloading into an unlocked, lakefront efficiency. Anne and I both agreed that we’d only forgotten to pack “the kitchen sink.”

No Chance of Rain

Sunday, April 25th, 2010
No Chance of Rain, Watercolor, Image Size 5" x 3.5"“No Chance of Rain,” Original Watercolor, Matted, Unframed, Image Size 5″ x 3.5″

[Click here for my Ebay listing]

There’s just so darned much to learn!  Please excuse my profanity, but there really is a world of things I just plain don’t know.  

And when it comes to painting the only way to really learn is to practice - practice and explore new subjects.  I tend to stick with things I consider safe; things I’ve painted many times before with relative success.  My nasty little “safety net approach” to painting has held me back and I believe kept me from finding my niche artistically.  

And after all these years of painting I’ve still many new frontiers to explore and since I’m not a full-time artist (yet)  - I earn my “survival cash” as a secretary  - it may take me a little longer to find my place in the art world.

One of many great lessons I’ve learned is that no matter how overwhelmed I may become about how much there is to learn there is no chance of Rainey giving up.  I’ll paint and draw and read and learn from other artists with joy and anticipation.  

The truth is I may never find my niche, but I’ll never give up the search.  My intention is to enjoy my creativity and share what I can so long as I’m here on this earthly plane.  

Creativity feeds my soul and brings peace when there seems to be none.  Turning my back on this gift from God is not an option.  I am grateful.

Living by the Numbers

Thursday, April 8th, 2010

"For the Birds," Watercolor Sketch

"For the Birds," Watercolor Sketch

How much, how long, how old? What’s your weight, waistline and bank balance? What’s the time, how far is it and how long will it take?

Living life by the numbers is stressing me out lately and since I’m the artistic type I despise being restricted by rules like one plus one equals two. I much prefer abstract thinking and creative answers.

The truth is I’ve never been much for mathematics, which is quite an irony considering I’m a keeper of the books at my place of employment.

Lately though there seems to be no way of avoiding the numbers. Just last week when my friend SG and I met for dinner at The Cheesecake Factory we were surprised to find the calorie count listed for every dish on the menu.

I knew there was a new calorie count law coming down the pike that would require certain eateries to include this information, but why now - just as I was about to order the white chocolate caramel macadamia nut cheese cake!?

I spent more than ten minutes browsing the menu - not to choose a entree, but distracted by the number of calories in each and every dish on the menu. At the end of day both SG and I decided to ignore this helpful numerical data and dig in to our respective dinner choices followed by our 1220 calorie dessert. I suppose we could have split one dessert, but neither of us wanted to.  

So as SG and I left the restaurant after having consumed at least two days worth of calories I can see that there really is no way of avoiding the numbers game. 

I’m going to try though.  For the next four days (I’m on vacation Friday and Monday) I intend to refrain from balancing my checkbook, weighing myself, counting calories and driving the speed limit.  I’m such a rebel!  And incidentially for me - won plus won always equals victory!

Art Auction Saturday

Saturday, April 3rd, 2010

 

Tulip Time" is an Original Watercolor, Image Size 5 Inches x 3 1/2 Inches, Double Mat (8x10), Unframed

"Tulip Time" is an Original Watercolor, Image Size 5 Inches x 3 1/2 Inches, Double Mat (8x10), Unframed

[Click here for my Ebay listings]

Spring…As I sit here at my computer with the front door open I can feel the cool spring air brush across my arm.   It feels great and smells great.   Spring always feels to me like endless possibilities.   It’s a time for change and a time for a fresh start.   When the early spring plants begin to push their way out of the moist, cold earth they signal this transition, this transformation the earth will begin to make.  

I’m preparing my own personal transition and transformation.  How timely that it will materialize at this time of year.  Shedding the heavy winter wear and donning cotton or linen with a lightweight sweater is symbolic for the internal shedding I’m working toward.  

As I get ready to head out to the gardens to see if our tulips have begun to push through the ground I realize it won’t be long before they’re in full bloom.  I will follow their lead and push my way through the maze that is my life and get ready to bloom myself.  I intend to enjoy this spring like no other with the new awareness I’ve been developing over these months looking forward with no guarantees, but optimistic nonetheless.

Watercolor Demo - Winter in Upstate NY (Part 2)

Friday, March 5th, 2010

Gotta love all the technology we have available to us these days!  How else could I share these painting demonstration videos?  If you’re anything like me - a visual learner - you know that watching someone else paint provides loads of valuable information.   While I’ll not abandon the “still shots with commentary” it’s nice to mix it up a bit from  time-to-time.

What you see here is part 2 of my watercolor demo - Winter in Upstate NY.    Since I didn’t record any commentary with this video I wanted to share a few comments here in an effort to explain the techniques I’ve used.

As you can see, much of my painting is done on dry paper with watercolor washes applied in specific areas - controlled washes really.  While I love the spontaneous nature of the watercolor wash, I like to decide where to use it (I admit to being just a bit a of a control freak).

Recall the sky wash in part 1 where  I painted around the barns - that is a controlled wash.  Throughout this piece I’ve used controlled washes and layering.

The foreground trees/brush on the right are started with strong brush strokes using a loaded brush, then softened with water, dried and repainted - over and over until you achieve the effect you’re after.  Knowing when to stop is of paramount importance.

What I love about watercolor is that spontaneous nature that can be coupled with control.  Watching water and paint dance on the paper  -there’s really nothing like it!

I hope you enjoy the video.  You can watch Part 3 - Final by clicking here.  Please feel free to email me directly or leave a comment or two!

I’m Just a Videoing Fool!

Monday, March 1st, 2010

Art Auction Saturday

Saturday, February 27th, 2010

“]Lilacs in Bloom, Watercolor, Image Size

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Watercolor Demo - Lilacs in Bloom Part 3 Final

Friday, February 26th, 2010


I’m trying something new and this is the first - a short snippet of my painting process.  This is my first attempt at doing a video, editing and posting.  Bear with me… next time I hope for a better quality video.

Anyway… as you can see I’ve continued to apply layer upon layer of color (watercolor washes) always referring to my color study as a guide in my color mixing process.

While some artists are confident enough to apply dark, splashy washes with only one or two applications of paint, I tend more toward the “building process.”  Building by applying one wash of color over the next (drying each layer thoroughly) until I get the desired dark value.

The beauty in creating art is that there’s no right or wrong way to get where you want to be.  It’s all a matter of personal preference and style.  I suppose that’s what I like best about art - in math 2 + 2 is always 4, but when I’m painting the answers are what I want them to be!

Once I have my foliage and such as dark as I desire I will then remove the masking fluid by erasing or rubbing it.  I find using an eraser is cleaner as the oils from your skin can leave a residue on the paper that is hard to remove.  Once those whites (your unpainted protected areas) are exposed then it’s time to paint those lilacs and make them bloom (as seen in this video)!

Something important to remember is that while our brain knows these lilacs are made up of hundreds of small blossoms in each bunch we need only focus on painting a “shape” that says “bunch of lilacs.”  I have found keeping that in mind - paint a shape that says what we want to say - is freeing and keeps me from getting caught in fussy little details when a shape and color is all you need to say what needs saying.

What I wanted to say with this painting is, “Wow I just saw this beautiful, old country home with mature lilac bushes in full bloom.  So vibrant and beautiful!   Here look . . . see what I mean?”   That’s my message.  Can you smell them?  Can you feel them tickle the end of your nose as you take in their sweet aroma?  That’s my message.  Sharing what I see and how I see it through my painting.

Watercolor Demo - Lilacs in Bloom Part 1

Monday, February 22nd, 2010

Note:  Double Click the above images for a closer look.

Tom and I went for a “road trip” yesterday and I could feel spring is just around the corner.  While it was cold and there was still snow on the ground I could smell spring and, of course, my other gauge of spring - the roadkill count - seems to indicate the same thing.  Yesterday’s roadkill count - one skunk, one tan unidentifiable furry thing and one squirrel - we’re close!

Though we haven’t had our usual snow fall amounts  it has been a very cold winter season and I’m ready for warmer temperatures.  With all that spring thinking in mind I’ve decided to paint a miniature watercolor painting (about 2.5 inches x 3 inches) - Lilacs in Bloom - and share my painting process with you.  So get your paper, pencil and brushes to follow along!

*    *    *    *    *    *

The very first step in any creative process is to find something that inspires you.  I’ve painted this house before in all its “lilac glory.”   It’s a place I drive past from time-to-time on my commute to work.  Since that photograph was taken - years and years ago - I’ve never seen those lilacs in such full bloom and vibrant bloom.  What a treat and I’m glad I had my camera.  As you can see in the above photograph (right) I took several shots and have them taped together, providing a panoramic view of the old house, picket fences, laundry on the line and, of course, the lilacs.  Beautiful.  I’m inspired.  Time to get going.

Thankfully I stopped myself before plunging right into the painting process thereby skipping two essential steps, i.e., a value sketch and color study.  Your value sketch and color study will provide a “road map” to be used along with your reference photo, still life or a scene you are painting en plein air.  These preliminary steps will help you find design problems before you begin the final painting and help give you confidence in mixing just the right color.

I always keep my value sketch and color study small (no matter what size my painting will be) in order to avoid getting fussy during these first steps of the painting process.   Additionally, I’ll draw a “frame” for both the value sketch and color study to define the edges of my painting (See Right Photo).  These edges can also provide checkpoints as you draw, i.e., positioning the horizon line, checking architectural angles, etc.

After you’re completely satisfied with your value sketch and color study you’ll need to transfer your drawing (contour lines only) onto the watercolor paper.  I use a kneaded eraser to correct mistakes as it doesn’t seem to deface the surface of my watercolor paper.  Finally, when you have a drawing you are satisfied with it’s time to PAINT!  (Stop back on Wednesday to see how the painting progresses.)

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